The textile works touch upon issues surrounding colour, shape and three-dimensionality. Colour is added with a technique where colour pigments are floating in the water during dyeing.
At present I’m occupied by all embroidery that relates to weave patterns. I weave patterns that are possible to embroider on and I change their structures by embroidery.
Tidigt har jag fascineras av det textila materialet och förfinat, utvecklat mitt skapande i gobelänger och textilskulptur. Arbetar oftast i oregelbundna och osymmetriska former, färger som
My main expression throughout the years has been that of the Art Quilt, nevertheless I enjoy the frequent freedom of crossing the borders. I work with a broad variation of techniques, including
Josefin Tingvall, 1993, fiberartist. Josefin work with the textile material as a storytelling medium, her works are a mix of investigations, imagination and social relevance.
My aim is to catch the fragility of life, the humbleness, intimacy and timelessness.
Our contemporary world disturbs my mind. Any way I need to reflect this. With stiches I fasten the reflexion for a while, I make it visible. To transform anxiety into Creativity can calm my
My art practice is based in Korsberga,Sweden.I have worked with many different textile techniques and for some years now I have been concentrating on embroidery.
Sustainability and humor is important for me. Above all I am interested in weaving Swedish rag rugs enterily from recycled textiles. From time to time I add a piece of embroiderys on them.
A thought becomes a painted picture and further a woven piece of art. Mixing 5 threads to get the correct shades of colour, I'll be standing at my loom; catched in the power of creation.
The meeting between textile and metal communicates an inner conflict. Something is breaking down, rust and verdigris become fragments and traces of something that has occurred.
Since 1989, I work with different concepts, using leathers, cloths and paper, including embroidery in pieces of metal and paper.
"To create mental conditions and lasting moments of colour mass, have today become the largest challenge for me."
Directions visualizes in my mind through forms, colours and lines. Lines are drawn with different kinds of crayons on a piece of paper. Ground colours and their complements are used as starters.
My biggest source of inspiration is the ancient textile techniques that both fascinates and provokes me.