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Janne Nes
The textile works touch upon issues surrounding colour, shape and three-dimensionality. Colour is added with a technique where colour pigments are floating in the water during dyeing.
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Tabea Dürr
At present I’m occupied by all embroidery that relates to weave patterns. I weave patterns that are possible to embroider on and I change their structures by embroidery.
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Mona Hedin
Tidigt har jag fascineras av det textila materialet och förfinat, utvecklat mitt skapande i gobelänger och textilskulptur. Arbetar oftast i oregelbundna och osymmetriska former, färger som
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Katriina Flensburg
My main expression throughout the years has been that of the Art Quilt, nevertheless I enjoy the frequent freedom of crossing the borders. I work with a broad variation of techniques, including
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Josefin Tingvall
Josefin Tingvall, 1993, fiberartist. Josefin work with the textile material as a storytelling medium, her works are a mix of investigations, imagination and social relevance.
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Kira Malmsten
My aim is to catch the fragility of life, the humbleness, intimacy and timelessness.
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Elsa Agélii
Our contemporary world disturbs my mind. Any way I need to reflect this. With stiches I fasten the reflexion for a while, I make it visible. To transform anxiety into Creativity can calm my
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Karin Ackell Frendberg
My art practice is based in Korsberga,Sweden.I have worked with many different textile techniques and for some years now I have been concentrating on embroidery.
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Katarina Wrethén
Sustainability and humor is important for me. Above all I am interested in weaving Swedish rag rugs enterily from recycled textiles. From time to time I add a piece of embroiderys on them.
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Eva-Ida Ekström
A thought becomes a painted picture and further a woven piece of art. Mixing 5 threads to get the correct shades of colour, I'll be standing at my loom; catched in the power of creation.
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Anni Foglert
The meeting between textile and metal communicates an inner conflict. Something is breaking down, rust and verdigris become fragments and traces of something that has occurred.
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Maria Santacecilia
Since 1989, I work with different concepts, using leathers, cloths and paper, including embroidery in pieces of metal and paper.
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Katarina Qvarnström
"To create mental conditions and lasting moments of colour mass, have today become the largest challenge for me."
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Ann Nyberg
Directions visualizes in my mind through forms, colours and lines. Lines are drawn with different kinds of crayons on a piece of paper. Ground colours and their complements are used as starters.
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Anna Segelman
My biggest source of inspiration is the ancient textile techniques that both fascinates and provokes me.
