I see my work as a form of tales. Throe my work I examine the possibility and construction of the textiles complexity. I am occupied to investigate the woven expression through its construction.
My work questions how we experience and perceive our physical surroundings. By using chaos and rhythm, pattern and fracture, I transform fabric to become a metaphor of living today—where one
In my work I look for secret information that is not visual to the eye. Textile is one of my many medias.
I like to work with colors and are interested in how they influence each other, the viewer and the ability the colors have to convey ideas.
Catch a glimpse of a sudden gesture and follow the paths further in, until you walk in someone´s footprints. See a wild animal nearby or listen to dripping water. Try to tell a story from a
I think that art is the necessity to find the way to a world which you can disclose only by your own sensitivity.
I want to tell about the fragility of life. With our facial expressions we show the vulnerabilities that exist within all of us. I want my art to help the viewer take a moment and make contact
Márta Balogh är en konsthantverkare och konstnär bosatt i Mölndal, medlem i Konsthanverkscentrum i Göteborg. Hon har en bakgrund med konstutbildning från Rumänien. Hon har arbetat som
Ulrikka Mokdad is a Danish textile artist and art historian. Since 1997, her work has been exhibited in numerous international shows. She lives in Copenhagen, Denmark.
Australian by birth and Swedish by choice I work with thread, stitching and pattern to explore the idea of Identity, whether person, place or culture.
I find my inspiration from the Nordic nature and its timelessness. From a small watercolour sketch there will be a large tapestry. To work with yarns and colours is a part of my life.
Making basket objects is my favorite art medium. The basket form is universal, and it gives me freedom to investigate form, structure, texture …. and the magic of nature.
The textile works touch upon issues surrounding colour, shape and three-dimensionality. Colour is added with a technique where colour pigments are floating in the water during dyeing.
At present I’m occupied by all embroidery that relates to weave patterns. I weave patterns that are possible to embroider on and I change their structures by embroidery.
Tidigt har jag fascineras av det textila materialet och förfinat, utvecklat mitt skapande i gobelänger och textilskulptur. Arbetar oftast i oregelbundna och osymmetriska former, färger som